Before the man found out his wallet was missing, he had seen the blac-考呗网题库移动版

单选题 Before the man found out his wallet was missing, he had seen the black-haired girl

A．only once
B．twice
C．three times
D．four times

参考答案C

解析: 本题应着眼于记叙文中的事件要素。第一段描写了男主人公在办理登机手续时第一次见到了这个女孩；第三段描写了他在机场酒吧休息时第二次遇到了这个女孩；第四段描写了他在机场买杂志时第三次碰到了这个女孩；之后文章的中间部分描写男主人公发现自己的钱包丢了，去找这个女孩索要钱包，这是第四次遇到她，所以男主人公在发现自己的钱包丢失之前见过女孩三次，故选C。

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单选题 The man sat beside the black-haired girl to __________

A．accost her
B．arrest her
C．threaten her
D．ask for his wallet

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单选题 It can be inferred from the last paragraph that __________

A．the man was put into prison
B．the man was sued for stealing
C．the man convinced the policeman of the truth at the airport
D．the girl was arrested at last

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单选题　　Anniversaries are the opium of museums, publishers, theaters and opera houses. Fixing their eyes on someround-number birth or death date of a major creator, they start planning to cash in years before. For 2006, birthdaysare the winning numbers: Rembrandt's 400th; Mozart's 250th; and the 100th for Samuel Beckett and DmitriShostakovich.
　　The Dutch have organized a score of Rembrandt shows, starting appropriately with an exhibition based aroundhis mother in the town of his birth, Leiden. Mozart's music will be heard more than usual in churches, concert hallsand opera houses around the world, with his birthplace, Salzburg, once again trying to compensate for theindifference it showed him during his lifetime.
　　But do such anniversaries and accompanying celebrations serve much purpose? Are they just marketingdevices to sell tickets to museums and performances? Or do they help draw the attention of younger generations tothe giants of Western culture who at times seem crowded out by the pygmies of popular culture?
　　As it happens, the practice is not new. The birth of Bardolatry, or Shakespeare worship, is generally traced tothe Shakespeare Jubilee, which was organized by the actor-manager David Garrick to celebrate the 200thanniversary of the playwright's birth (the jubilee was actually held in 1769, five years after the anniversary, butpresumably time was more flexible in those days).
　　Until then, perhaps surprisingly, Shakespeare was not doing too well. The popularity of many of his plays didnot survive the 18-year-long closure of London's theaters during the Civil War and Cromwell's rule. Then, aftertheaters reopened in 1660 with the Restoration of the monarchy, several of his major works--"Richard HI" and"FAng Lear" among them--were drastically revised by other playwrights.
　　Today, Mozart, for one, is hardly in need of revival. No opera home plans a season these days withouti~cluding at least one of his stage masterpieces: "Le Nozze di Figaro," "Don Giovanni," "Cos1 fan tutte" and "DieZauberflote." His "Requiem," "Coronation Mass" and other sacred works are regularly performed. Hisinstrumental works--he wrote hundreds--keep soloists and orchestras busy throughout the year.
　　A more interesting reflection for Jan. 27, the 250th anniversary of his birth, is: How would Western culture have fared without Mozart?
　　True, the same question might be asked of myriad great artists who have bequeathed beauty, emotion andunderstanding. Yet Mozart was unique, not only because he excelled in every kind of music (while, say, Verdi andWagner were great composers only of opera), but also because, more cvcn than Bach, hc turned listening into adeeply personal experience.
　　There is that perennial: Who killed Mozart? In Peter Schaffcr's 1979 play, "Amadcus," adapted as an Oscar-winning movie by Milos Forman in 1984, the finger of guilt was pointed at Mozart's contemporary, AntonioSalieri. But even that charge was old hat: Pushkin first raised it in his 1830 play, "Mozart and Salieri," whichRimsky-Korsakov adapted as an opera in 1897. Still, the question is again being trotted out for the anniversary.
　　No such mystery surrounds Rembrandt's life or death. But if his greamess was only fully recognized in the19th century, he certainly is in need of no anniversary "special offers" to be admired today. His more than 600 oilsare in collections around the world and, whenever selected for exhibitions, they draw huge crowds.
　　The organizers of Rembrandt 400, as the annlversm'y has been tagged, evidently again have crowds in mind, hoping that some 250,000 people will travel to the Netherlands for the occasion.
　　Will Rembrandt's fans cross paths with those of Mozart?
　　If they did, they might find that their ido!s have something in common. In his 75 or so self-portraits, recordinghis passage from youth to old age, Rembrandt seems to offer a window into his soul. Cannot Mozart's compositionsalso be considered as self-portraits? Certainly, it is by displaying their intimacy that they share their genius with us.But of course only time will define their place in the pantheon. As happened to Rembrandt and many others,great artists are often forgotten before they are enshrined by posterity. After that, thankfully, anniversaries makelittle difference.
根据以上内容，回答题。
　　 It can be inferred from the passage that__________

A．Mozart's music used to be only played in church
B．Mozart's music has always been welcomed by people
C．Rembrandt once painted a lot about his mother
D．Rembrandt was brought up by his mother only.

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